VICTORS, Jan

1619-1676 . Dutch painter. He was half-brother to the bird painter Jacobus Victors (1640-1705) and the noted Delft potter Victor Victors (b 1638). About 150 oil paintings by Jan Victors, comprising portraits, genre scenes and historical subjects on both canvas and panel, have been catalogued. No signed or securely attributable drawing by him is known. Although his training is undocumented, Victors has long been considered a member of the school of Rembrandt in Amsterdam. His paintings of 1640-70 show many formal and thematic interrelationships with Rembrandt and his documented pupils of the 1630s


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VICTORS, Jan The Banquet of Esther and Ahasuerus esrt oil


The Banquet of Esther and Ahasuerus esrt
Painting ID::  9635
The Banquet of Esther and Ahasuerus esrt
1640s Oil on canvas, 170 x 230 cm Staatliche Museen, Kassel
   
   
     

VICTORS, Jan Esther and Haman before Ahasuerus er oil


Esther and Haman before Ahasuerus er
Painting ID::  9636
Esther and Haman before Ahasuerus er
1638-40 Oil on canvas, 128 x 169,5 cm Wallraf-Richartz Museum, Cologne
   
   
     

VICTORS, Jan Hannah Giving Her Son Samuel to the Priest ar oil


Hannah Giving Her Son Samuel to the Priest ar
Painting ID::  9637
Hannah Giving Her Son Samuel to the Priest ar
1645 Oil on canvas, 135 x 133 cm Staatliche Museen, Berlin
   
   
     

VICTORS, Jan Market Scene with a Quack at his Stall er oil


Market Scene with a Quack at his Stall er
Painting ID::  9638
Market Scene with a Quack at his Stall er
c. 1650 Oil on canvas, 79 x 99 cm Museum of Fine Arts, Budapest
   
   
     

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     VICTORS, Jan
     1619-1676 . Dutch painter. He was half-brother to the bird painter Jacobus Victors (1640-1705) and the noted Delft potter Victor Victors (b 1638). About 150 oil paintings by Jan Victors, comprising portraits, genre scenes and historical subjects on both canvas and panel, have been catalogued. No signed or securely attributable drawing by him is known. Although his training is undocumented, Victors has long been considered a member of the school of Rembrandt in Amsterdam. His paintings of 1640-70 show many formal and thematic interrelationships with Rembrandt and his documented pupils of the 1630s

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